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Zachary James Watkins (Oakland, CA) studied composition with Janice Giteck, Jarrad Powell, Robin Holcomb and Jovino Santos Neto at Cornish College. In 2006, Zachary received an MFA in Electronic Music and Recording Media from Mills College where he studied with Chris Brown, Fred Frith, Alvin Curran and Pauline Oliveros. Zachary has received commissions from The Empyrean Ensemble, Splinter Reeds, The Switch Ensemble, Density512, sfsound, The Living Earth Show, Kronos Quartet and the Seattle Chamber Players among others. His 2006 composition Suite for String Quartet was awarded the Paul Merritt Henry Prize for Composition and has subsequently been performed at the Labs 25th Anniversary Celebration, the Labor Sonor Series at Kule in Berlin Germany and in Seattle Wa, as part of the 2nd Annual Town Hall New Music Marathon featuring violist Eyvind Kang. Zachary has performed in numerous festivals across the United States, Mexico and Europe and his band Black Spirituals opened for pioneering Minimal Metal band Earth during their 2015 European tour. In 2008, Zachary premiered a new multi-media work entitled Country Western as part of the Meridian Gallery’s Composers in Performance Series that received grants from the The American Music Center and The Foundation for Contemporary Arts. An excerpt of this piece is published on a compilation album entitled The Harmonic Series‚ along side Pauline Oliveros, Ellen Fullman, Theresa Wong, Charles Curtis and Duane Pitre among others. Zachary completed Documentado/Undocumentado a multimedia interactive book in collaboration with Guillermo Gómez Peña, Gustavo Vasquez, Jennifer Gonzalez and Felicia Rice. His sound art work entitled Third Floor::Designed Obsolescence, “spoke as a metaphor for the breakdown of the dream of technology and the myth of our society’s permanence,” review by Susan Noyes Platt in the Summer 05 issue of ARTLIES. Zachary releases music on the labels Sige, Cassauna, Confront (UK), The Tapeworm and Touch (UK). Novembre Magazine (DE), ITCH (ZA), Walrus Press and the New York Miniature Ensemble have published his writings and scores. Zachary has been an artist-in-resident at the Espy Foundation, Djerassi the Headlands Center for The Arts and the Amant Foundation Siena, Italy.

“Unmistakable distorted lead sound, then an overhead gush of high harmonics, then an unsteady warble of bass frequency that moves in twitching subterranean parallel to the primary refrain. He has an incredible knack for subdividing his guitar signal into various forms that each seem to adopt their own agency. This act of self-dispersal is perfect for an artist who centres so intensely on Resonance, the existence of which necessarily depends on a recognition of entities beyond the singular self”

—Jack Chutter, ATTN:Magazine

zacharyjameswatkins.com

photo: John Diaz